The object of my choice
is a painting by an Italian artist, Federico Barocci. The painting is called Aeneas’ Flight from Troy. It is an oil
painting about 62.5 by 101.5 inches in size and was commissioned during the
Late Renaissance in 1598 (Richards 1961). It currently resides just 4 kilometres away from
Rome’s city center in the Galleria Borghese. The first thing about this
painting that caught my attention was the title, “Aeneas’ Flight from Troy”. I usually prefer religious art from this period
as I believe it is quite beautiful, but since a religious theme is prominent in
most pieces created at this time, a painting based on Virgil’s epic poem, The
Aeneid, naturally sparked my interest. As mentioned, religious art during this
period was highly prevalent throughout Europe. It is for this reason that I
tend to forget that the Renaissance was a period that reflected on the art and
myths of Classical Greece (in this case, a Roman poet) and shaped them to fit
with the emerging ideas of humanism. Still, I find it interesting that Barocci
would base his painting off of a Pagan poet while Christianity was so
prominent. Having read and enjoyed The
Aeneid, I was already interested in how Barocci would present Aeneas fleeing
from Troy and how he would give the piece a distinct Renaissance feel while
preserving the integrity of the poem.
Wikipedia
Works Cited
Richards, Louise S. "A Study for Aeneas' Flight from Troy." The Bulletin of the Cleveland Museum of Art (Cleveland Museum of Art) 48 (1961): 63-65.
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